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Listening to Music (MUZA99H3S) Assignment #3: Extended Listening Investigation Winter 2025

发布时间:2025-03-12

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Assignment #3: Extended Listening Investigation

Listening to Music (MUZA99H3S)

Winter 2025

Assignment Details

Key Details

Due Date       Thursday March 13th, at 11:59pm

Submission    Quercus, PDF file

Words            1,000 (i.e., four pages double-spaced, 12-point font)

Weighting      15 points (i.e., 15% of your total grade in the course)

General Description

This assignment is a more thorough version of assignment #2, applied to a different song of your choice. Again, the pedagogical goal is to increase your retention of course content by making the content more relevant to your life.

Specific Tasks

Choose any piece of music that you like, with two exceptions: DON’T choose a piece on the listening list for this class, and DON’T choose the same piece you chose for assignment #2.

Please identify the piece of music using the title, artist name (or composer name),and year (the year in which the recording was released).

Discuss your chosen piece of music in relation to each of the following seven musical elements:

1.   Genre

2.   Instruments

3.   Rhythm (and Time)

4.   Metre

5.   Melody

6.   Form

7.   Ensemble

When you discuss each element, make sure to use two or more sub-concepts from the lectures. These sub-concepts should be terms discussed in the lectures in relation to the seven musical elements above. Some examples of potential sub-concepts:

Genre

Genres (e.g. classical, hip-hop, jazz, pop, R&B) and subgenres (e.g., Baroque period, bebop, Bossa Nova, Motown)

Common instruments in the genre (e.g., guitar, piano, voice)

Common ensembles in the genre (e.g., band, choir, jazz big band, orchestra)

Common forms in the genre (e.g., 12-bar blues, AABA, sonata allegro, verse-chorus)

Instruments

Orchestral families (woodwinds, brass, percussion, strings)

Hornbostel-Sachs categories (aerophone, idiophone, membranophone, chordophone)

Performance techniques (e.g., staccato, arpeggio, riff, pizzicato, strumming, walking bass)

Instrument construction (e.g., valve, bell, mallet, drum set, fretboard)

Rhythm/ Time

Tempos (e.g., adagio, moderato, presto)

Tempo changes (e.g., accel., rit.)

The beat/ pulse

Notes vs. rests (e.g., different note and rest values)

Phrases (e.g., phrase lengths)

Swing rhythm

Arhythmic

*Note that ‘rhythm and time’ is considered one musical element for the purposes of this paper; only two total sub-concepts must be used for rhythm and time together.

Metre

Metres (e.g., 2/4, 3/4, 4/4, 5/4, 6/8); including duple/ triple/ quadruple, and simple/ compound

Bars/ measures

Downbeat

Upbeat (is there an upbeat?)

Backbeat (is there a backbeat?)

Syncopation (is there syncopation?)

Mixed metre

Ametric

Melody

Notes and rests

Intervals (including steps, leaps, and specific intervals like 3rds and octaves)

Scales (major, minor, chromatic, etc.)

Solfège

The range and contour of a melody (including ascending and descending)

Conjunct and disjunct melodic motion

Form

Theme, repetition, and variation

Specific forms, like Sonata Allegro, 12-bar blues, AABA, verse-chorus,strophic, and through- composed

Sections of the form, like sections of verse-chorus (verse, chorus, pre-chorus, bridge, instrumental solo)

Ensemble

Types of ensemble, including the ensembles we’ve focused on in this course: orchestra, string quartet, choir, jazz big band, jazz combo, or band

Other ensembles are also possible, like solo artist or vocal group

Relationship between ensemble, instruments, and genre (e.g., discussing similarities and differences between your chosen song and typical songs with this ensemble)

Other ensemble-related terms like chamber music, a cappella, piano trio, and power trio

Using Concepts Accurately

Make sure you use the musical elements and relevant sub-concepts accurately. This means that you will need to demonstrate your understanding of the concepts by using them in contexts in  which they make sense.

For example, if you incorrectly identify the genre or metre of your piece, or use a sub-concept wrong, you will not receive points for using those terms. You are welcome to do your own research in order to check that you have correctly applied course concepts to your chosen song.

Length of Answers

You should discuss the seven musical elements for approximately 1-2 paragraphs (100-150 words) each. Make sure to separate the elements clearly so that theTA grading your assignment knows that you have responded to all seven elements. For example, you can start the paragraph on form by saying “I am now going to discuss the form of my song” and then go on to mention  the form in your chosen song.

In total, the document should include approximately 1,000 words.

*Additional Requirement — Include Link to Recording*

Please make sure to include a link to your chosen audio recording within your assignment. This  should be a link to either YouTube or Spotify ONLY (i.e., no other streaming services). You can add the link by copying and pasting the web address directly into your assignment, or creating a hyperlink in your word processor.

If you do not provide a link to your chosen piece, the grader may have difficulty finding a recording, which could result in a lower grade.

Grading Rubric

Category

Description

Point Calculation

Points

Discussing Genre

The student accurately

discussed the genre of their chosen piece of music,

mentioning two relevant sub- concepts. The student used

complete sentences, grouped appropriately into paragraphs (i.e., well-written’).

1 point is awarded for each

genre-related sub-concept

discussed accurately, up to a

maximum of 2 points. 1 point is deducted if this section is not

written incomplete sentences.

*Note that genre and subgenre count as 1 point; these are not separate sub-concepts.

2

Discussing Instruments

Accurately discussed

instruments used; mentioned two relevant sub-concepts; well-written

1 point/ sub-concept (max. 2); minus 1 point if not well-written

2

Discussing Rhythm and Time

Accurately discussed rhythm/ time; mentioned two relevant sub-concepts; well-written

1 point/ sub-concept (max. 2); minus 1 point if not well-written

2

Discussing Metre

Accurately discussed metre; mentioned two relevant sub- concepts; well-written

1 point/ sub-concept (max. 2); minus 1 point if not well-written

2

Discussing Melody

Accurately discussed melody; mentioned two relevant sub- concepts; well-written

1 point/ sub-concept (max. 2); minus 1 point if not well-written

2

Discussing Form

Accurately discussed form; mentioned two relevant sub- concepts; well-written

1 point/ sub-concept (max. 2); minus 1 point if not well-written

2

Discussing Ensemble

Accurately discussed

ensemble; mentioned two relevant sub-concepts; well- written

1 point/ sub-concept (max. 2); minus 1 point if not well-written

2

Writing ~1,000 Words

The student wrote a total of  approximately 1,000 words.

1 point is deducted if there are fewer than 900 total words or   more than 1,250 total words.

1