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Listening to Music (MUZA99H3S) Assignment #3: Extended Listening Investigation Winter 2025
发布时间:2025-03-12
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Assignment #3: Extended Listening Investigation
Listening to Music (MUZA99H3S)
Winter 2025
Assignment Details
Key Details
Due Date Thursday March 13th, at 11:59pm
Submission Quercus, PDF file
Words 1,000 (i.e., four pages double-spaced, 12-point font)
Weighting 15 points (i.e., 15% of your total grade in the course)
General Description
This assignment is a more thorough version of assignment #2, applied to a different song of your choice. Again, the pedagogical goal is to increase your retention of course content by making the content more relevant to your life.
Specific Tasks
Choose any piece of music that you like, with two exceptions: DON’T choose a piece on the listening list for this class, and DON’T choose the same piece you chose for assignment #2.
Please identify the piece of music using the title, artist name (or composer name),and year (the year in which the recording was released).
Discuss your chosen piece of music in relation to each of the following seven musical elements:
1. Genre
2. Instruments
3. Rhythm (and Time)
4. Metre
5. Melody
6. Form
7. Ensemble
When you discuss each element, make sure to use two or more sub-concepts from the lectures. These sub-concepts should be terms discussed in the lectures in relation to the seven musical elements above. Some examples of potential sub-concepts:
Genre
• Genres (e.g. classical, hip-hop, jazz, pop, R&B) and subgenres (e.g., Baroque period, bebop, Bossa Nova, Motown)
• Common instruments in the genre (e.g., guitar, piano, voice)
• Common ensembles in the genre (e.g., band, choir, jazz big band, orchestra)
• Common forms in the genre (e.g., 12-bar blues, AABA, sonata allegro, verse-chorus)
Instruments
• Orchestral families (woodwinds, brass, percussion, strings)
• Hornbostel-Sachs categories (aerophone, idiophone, membranophone, chordophone)
• Performance techniques (e.g., staccato, arpeggio, riff, pizzicato, strumming, walking bass)
• Instrument construction (e.g., valve, bell, mallet, drum set, fretboard)
Rhythm/ Time
• Tempos (e.g., adagio, moderato, presto)
• Tempo changes (e.g., accel., rit.)
• The beat/ pulse
• Notes vs. rests (e.g., different note and rest values)
• Phrases (e.g., phrase lengths)
• Swing rhythm
• Arhythmic
*Note that ‘rhythm and time’ is considered one musical element for the purposes of this paper; only two total sub-concepts must be used for rhythm and time together.
Metre
• Metres (e.g., 2/4, 3/4, 4/4, 5/4, 6/8); including duple/ triple/ quadruple, and simple/ compound
• Bars/ measures
• Downbeat
• Upbeat (is there an upbeat?)
• Backbeat (is there a backbeat?)
• Syncopation (is there syncopation?)
• Mixed metre
• Ametric
Melody
• Notes and rests
• Intervals (including steps, leaps, and specific intervals like 3rds and octaves)
• Scales (major, minor, chromatic, etc.)
• Solfège
• The range and contour of a melody (including ascending and descending)
• Conjunct and disjunct melodic motion
Form
• Theme, repetition, and variation
• Specific forms, like Sonata Allegro, 12-bar blues, AABA, verse-chorus,strophic, and through- composed
• Sections of the form, like sections of verse-chorus (verse, chorus, pre-chorus, bridge, instrumental solo)
Ensemble
• Types of ensemble, including the ensembles we’ve focused on in this course: orchestra, string quartet, choir, jazz big band, jazz combo, or band
• Other ensembles are also possible, like solo artist or vocal group
• Relationship between ensemble, instruments, and genre (e.g., discussing similarities and differences between your chosen song and typical songs with this ensemble)
• Other ensemble-related terms like chamber music, a cappella, piano trio, and power trio
Using Concepts ‘Accurately’
Make sure you use the musical elements and relevant sub-concepts accurately. This means that you will need to demonstrate your understanding of the concepts by using them in contexts in which they make sense.
For example, if you incorrectly identify the genre or metre of your piece, or use a sub-concept wrong, you will not receive points for using those terms. You are welcome to do your own research in order to check that you have correctly applied course concepts to your chosen song.
Length of Answers
You should discuss the seven musical elements for approximately 1-2 paragraphs (100-150 words) each. Make sure to separate the elements clearly so that theTA grading your assignment knows that you have responded to all seven elements. For example, you can start the paragraph on form by saying “I am now going to discuss the form of my song” and then go on to mention the form in your chosen song.
In total, the document should include approximately 1,000 words.
*Additional Requirement — Include Link to Recording*
Please make sure to include a link to your chosen audio recording within your assignment. This should be a link to either YouTube or Spotify ONLY (i.e., no other streaming services). You can add the link by copying and pasting the web address directly into your assignment, or creating a hyperlink in your word processor.
If you do not provide a link to your chosen piece, the grader may have difficulty finding a recording, which could result in a lower grade.
Grading Rubric
|
Category |
Description |
Point Calculation |
Points |
|
Discussing Genre |
The student accurately discussed the genre of their chosen piece of music, mentioning two relevant sub- concepts. The student used complete sentences, grouped appropriately into paragraphs (i.e., ‘well-written’). |
1 point is awarded for each genre-related sub-concept discussed accurately, up to a maximum of 2 points. 1 point is deducted if this section is not written incomplete sentences. *Note that genre and subgenre count as 1 point; these are not separate sub-concepts. |
2 |
|
Discussing Instruments |
Accurately discussed instruments used; mentioned two relevant sub-concepts; well-written |
1 point/ sub-concept (max. 2); minus 1 point if not well-written |
2 |
|
Discussing Rhythm and Time |
Accurately discussed rhythm/ time; mentioned two relevant sub-concepts; well-written |
1 point/ sub-concept (max. 2); minus 1 point if not well-written |
2 |
|
Discussing Metre |
Accurately discussed metre; mentioned two relevant sub- concepts; well-written |
1 point/ sub-concept (max. 2); minus 1 point if not well-written |
2 |
|
Discussing Melody |
Accurately discussed melody; mentioned two relevant sub- concepts; well-written |
1 point/ sub-concept (max. 2); minus 1 point if not well-written |
2 |
|
Discussing Form |
Accurately discussed form; mentioned two relevant sub- concepts; well-written |
1 point/ sub-concept (max. 2); minus 1 point if not well-written |
2 |
|
Discussing Ensemble |
Accurately discussed ensemble; mentioned two relevant sub-concepts; well- written |
1 point/ sub-concept (max. 2); minus 1 point if not well-written |
2 |
|
Writing ~1,000 Words |
The student wrote a total of approximately 1,000 words. |
1 point is deducted if there are fewer than 900 total words or more than 1,250 total words. |
1 |
