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FIT3172 Sonics – Semester 2, 2023

Assignment 2: Creating an audio narrative

In this assignment,you will create an audio composition that creates a scene or impression in the mind of the listener. You will use an image, chosen from a set of source images provided, as a source of inspiration. You may tell an explicit story through a series of audio events or consist of a more abstract set of sounds that invoke a mood or feeling. Your composition will use a combination of recorded audio and sounds you create yourself.

Statement on the use of Generative AI for assessments in this unit: Generative AI tools cannot be used for any assessments in this unit. In this unit, you must not use generative artificial intelligence (AI) to generate any materials or content in relation to your assessment.

Requirements

●    Recording: The narrative must include some recorded audio. This should include a mixture of background audio (e.g. environmental soundscape) and foreground sounds (e.g. recognisable human activity).

●    Sound creation: Your composition should include a variety of sounds you create yourself. This includes  both  digitally  generated  sounds  using  VST  synthesisers  (e.g.  Helm)  or  hardware synthesisers, and effects created using Foley. You should not rely on vocal narration. Your composition may not contain any speech except for indistinct voices captured in background audio,  non-speech vocalizations  (e.g.  abstract  sounds), wordless singing, or voice  used  in Foley.

●    Composition: Your  composition  may  be  literal  (portray  a sequence of events), or abstract (convey an emotion or feeling) in nature. Be creative!

●    Editing  and  processing:  The  recordings  should  be  appropriately  edited  and  processed  in Reaper using techniques learned during your studios. This should include techniques such as multi-track mixing, non-destructive sound processing and editing (for example filtering and effects), as well as techniques used in Assignment 1.

●     Length: The finished piece should be about 3 minutes in length.

●    Documentation: Your submission should  be accompanied  by details about  how and where you made your recordings, as well as descriptions of the sounds you made and how you made them. You should also describe the story or mental image your composition is intended to invoke, along with the decisions you made to achieve this (for example, what foreground and background sounds you chose and how you fitted them together). Explain how you designed your piece, using the content from Lecture 7 as a starting point. For example, how would you describe the  narrative  arc  of your  piece?  How  did  you  create tension? Why  did you  use diegetic sounds, or not? Briefly describe (at a high level) the editing and sound processing decisions you made, and your rationale.

●    Recording: Your submission will include your final edited composition, along with the source files you used. This should follow the specified submission format.

Assignment Submission (via Moodle)

1.   Audio file: Your final audio file in .wav format.

2.    Project files: Your Reaper project files, including original sound files.

3.    Documentation file: A pdf of your recording documentation.

Submission instructions continue overleaf…

Submission Instructions

Please complete the below steps to assemble your assignment files and prepare them for submission. Be sure  not  to   include  excessive  source   material  (delete  some   raw  audio  files  and   note  this   in  your documentation if necessary), as your submission must meet Moodle’s upload limit of 500MB.

1.    Create a new folder titled FIT3172_A2_StudentName

2.    Create a sub-folder, titled “Project”. Copy your Reaper project into this folder. Your Reaper project folder should contain a sub-directory of your media as you were shown in Studio 6. (Markers must be able to open the project on their machine without linking errors or need  to install additional plugins.)

3.    Add your documentation file to the main folder. This should be a single document in .pdf format.

4.    Add your final rendered recording to the main folder. This should be a single audio file in .wav format (44.1 kHz, 16 bit, PCM).

5.    Compress your main folder into a single .zip file

a.    Windows: Right click FIT3172_A2_StudentName and select “Send To->Compressed (zipped) folder”

b.    Mac: Right click FIT3172_A2_Studentname and select “Compress <filename>” 6.    Upload the .zip to Moodle

Assessment Criteria (total 20 marks)

●    Quality of recorded content: inclusion of both foreground and background audio, quality of recordings, sufficient variety of interesting sounds (e.g. timbre, volume, distance, dynamics, variety), sound elements added, does the audio create an interesting picture in the listener’s mind? (4 marks)

●    Quality of created sounds: inclusion of both digitally generated sounds and foley, quality of sounds, variety of interesting sounds. (4 marks)

●    Quality  of  the  composition:  creation  of  an  effective  narrative  or  image,  strategic  use  of different types of sounds, design of the piece. (4 marks)

●    Quality of editing and mixing: correct use of editing and mixing techniques, overall qualities such as dynamic range, control of unwanted sounds (e.g. wind), level matching between edits, noise reduction, normalisation, fading introduction and fadeout, with 2 second silent header, and correct file format. (4 marks)

●     Documentation of the sound design, recording and production process, and factors in the decision(s) to use the chosen sounds and how they fit into the scene. (4 marks)

Due Date: Friday, 11 :55 pm, Week 9 (22nd  September)